PLEASE NOTE - new subscriptions begin with the next issue to be published, NOT the current issue
1 year subscription = 6 issues
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AudioTechnology is the most thorough and informative publication to have ever served the audio market in this region. Published bi-monthly in a prestigious full colour perfect-bound format, AudioTechnology is a world-class title the equal (or the envy) of anything of its type worldwide.
Each edition brings:
- Thorough in-depth interviews with working professionals
- The very latest techniques and tips
- Documentary-style feature stories
- Informative and educational tutorials
- 'How-to' articles and DIY constructional projects
- Detailed product testing with uniform review criteria
- Interviews with the people responsible for new and significant technologies.
Through our international connections, AudioTechnology presents the ‘big picture’, reporting on international global views and relating them sensibly to the local market. AudioTechnology is designed with the reader in mind, presenting the facts in a clear, humourous and sophisticated manner.
The very nature of the audio industry is subjective and, quite often, ambiguous. Users of audio technology work in a multitude of disciplines across the audio spectrum, and have specific needs and requirements. They are also creative and artistic people, with a strong sense of audio and visual aesthetics. Unlike other technical magazines, AudioTechnology’s clean design and modern visual presentation guarantees its appeal to all users of audio technology, and provide a clear differentiation between editorial and advertising.
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A PAIR OF ASTON STARLIGHT CONDENSER MICROPHONES WORTH $1099
When AT reviewed the Aston Origin last year, we found it an incredibly versatile, near-indestructible, reasonably-priced large diaphragm condenser that sounded awesome on just about anything. Starlight is Aston’s first small diaphragm condenser, and it’s equally as impressive. Loaded with built- in laser pointers to help recreate recording configurations, Starlight’s true strength is its versatility. The Voice switch alters high-frequency response with some ‘fancy front-end filtering’, giving you three very usable flavours to capture a variety of instruments with just the right tone. Selectable pads and high-pass filters add even more flexibility often not found in SDCs. In his review this issue, Preshan said, “Similar to the Origin, tracks recorded with Starlight don’t seem to require a heap of treatment... if there’s ever a mark of a good microphone, that would be it.”
Thanks to Link Audio, we have a matched pair of laser- guided Starlights to give to one lucky reader. All you’ve got to do is subscribe (or re-subscribe) to AudioTechnology’s print edition and answer the following question:
Which of the following is not one of Starlight’s selectable Voice options?
Please enter your answer in the order & delivery comments box on the shopping basket page.
The competition is a game of skill that’s open to new subscribers and re-subscribers in Australia. The competition cutoff date is 29/10/17. Entries will be judged by AudioTechnology staff and winners will be notified by phone or email and announced in a following issue of the AudioTechnology magazine. The judges’ decision will be final and no further correspondence will be entered into.