PLEASE NOTE - new subscriptions begin with the next issue to be published, NOT the current issue
1 year subscription = 6 issues
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AudioTechnology is the most thorough and informative publication to have ever served the audio market in this region. Published bi-monthly in a prestigious full colour perfect-bound format, AudioTechnology is a world-class title the equal (or the envy) of anything of its type worldwide.
Each edition brings:
- Thorough in-depth interviews with working professionals
- The very latest techniques and tips
- Documentary-style feature stories
- Informative and educational tutorials
- 'How-to' articles and DIY constructional projects
- Detailed product testing with uniform review criteria
- Interviews with the people responsible for new and significant technologies.
Through our international connections, AudioTechnology presents the ‘big picture’, reporting on international global views and relating them sensibly to the local market. AudioTechnology is designed with the reader in mind, presenting the facts in a clear, humourous and sophisticated manner.
The very nature of the audio industry is subjective and, quite often, ambiguous. Users of audio technology work in a multitude of disciplines across the audio spectrum, and have specific needs and requirements. They are also creative and artistic people, with a strong sense of audio and visual aesthetics. Unlike other technical magazines, AudioTechnology’s clean design and modern visual presentation guarantees its appeal to all users of audio technology, and provide a clear differentiation between editorial and advertising.
Subscribe & Win!
A Presonus AR12 USB Hybrid Mixer Worth $799
Presonus’ StudioLive series of consoles has always promised to be equally capable in the studio as FOH. However, none have seemed quite portable enough to warrant constant schlepping back and forth between the two roles... until now.
The AR series of hybrid mixers are 24-bit/192k-capable USB interfaces that double as decently-sized analogue live mixers. The recording options don’t stop at your DAW, there’s an onboard stereo SD Card recorder too. The flexibility of the device is summed up in its Super Channel, which can accept two types of analogue inputs, or function as your USB or SD Card return, or receive a Bluetooth stream — and that’s just one channel.
Check out our review in the current issue for more.
Thanks to Link Audio for generously supplying a Presonus AR12 USB mixer valued at $799 for one lucky print subscriber to take home (or on the road).
To go into the running to win the mixer, all you have to do is subscribe or re-subscribe to AudioTechnology print magazine and answer the following question:
Where can you use the Presonus AR series mixers?
[A] Recording band rehearsal
[B] DJ’ing at your mum’s birthday party
[C] Front end of any DAW
[D] All of the above
Please enter your answer in the order & delivery comments box on the shopping basket page.
The competition is a game of skill that’s open to new subscribers and re-subscribers in Australia. The competition cutoff date is 15/3/17. Entries will be judged by AudioTechnology staff and winners will be notified by phone or email and announced in a following issue of the AudioTechnology magazine. The judges’ decision will be final and no further correspondence will be entered into.