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Audio Technology
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BACK IN BLACK - Is this $300 mic Rode's real flagship? ELVIS GETS BACK WITH THE ROOTS - Steve Mandel cuts record in a practice room ENGINEER OF THE YEAR - Virginia Read breaks an ARIA record RECORDING WITH ATTITUDE - Tony Buchen discusses the art of production SOUND LIBRARIAN GETS LOUD - Recording workshop goes off with a bang SAMPLER - Get in touch with your sound ROCKETING EVEN HIGHER - Universal Audio Apollo 16 Interface |
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JAYZ - The Most Controversial Album of 2013 Rich Costey's Distorted Perspective - Mixing Chvrches' Debut Album Shocking Secrets - Inside The SM58's Success Thinking Outside the Box - Stripping the Console Big & Sensitive - Audio-Technica's Ground-Breaking XL Condenser Collect 'em All - Korg Volca Analogue Mini-Synths Zoom H6 Portable Recorder - Slightly Bigger, Much Better |
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Splendour in the Mud - in deep with Triple J |
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For mixers, engineers, and producers, achieving good balance can be a life-long pursuit. Recently, AT's Mark Davie had the privilege of being embedded with the Triple J live recording team at Splendour In The Grass. Whipping up a mix in a couple of songs that will go live to air to over a million people is a refined art. Equally expert at this art of balance is Nick DiDia. The Issue 96 cover story fleshes out how Nick managed to balance Karnivool’s knack for drawing things out, and the lively efficient processes he’s built up over years of record-making — it’s a great example of two potentially opposing forces working together. |
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Ever felt the scorn of luddites hurling about loose terms like warmth, depth, width and punch? Dax Liniere took a bit of scientific umbrage to the bullying and dissected what the terms mean for the modern-day digital engineer, in his first part of a series about how to get analogue results from digital workstations called Thinking Outside The Box.
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We put Aussie engineer Catherine Marks on the cover, who worked with Alan Moulder and Flood on Foals’ album Holy Fire. We also spent three huge hours with Bruce Springsteen and his crew, and checked in with Gotye’s right-hand man Tim Shiel about what it takes to put the one-man show on the road.
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Tom Hooper’s film version of Les Miserables was a triumph, mainly because of the director’s vision to record the vocal performances completely live on set. We talked to the audio team about the measures undertaken to make that happen.
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Two of the biggest bands in the world were on tour and we caught up with both the Coldplay and Radiohead tours to see how they achieve superlative big concert sound.
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80s originals - CMI & LINN. The original sampler reborn & godfather of the drum machine. |
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